In the Studio: Self-Portraits

And just like that, another school year begins! I can’t believe we are already in week three of the new year. I tend not to work on too many “projects” so early in the year, preferring to give the children time to get comfortable in our space, explore, and make connections with classmates and staff. However, the one project I will dedicate time to is self portraits. I always find the children exhibit a high level of interest in drawing and painting at this time of the year and portrait work excites them. Additionally, portrait work requires slowing down, looking closely, and noticing details: all skills I want to emphasize and encourage in the first term. At the start of the year, we are also looking to develop a rapport and make connections with our students, so small group work like this often leads to relationship building.

“When we invite children to create self-portraits, we offer them mirrors and encourage long, sustained study of their faces from [an] unfamiliar perspective. Then we ask them to re-create themselves on paper, weaving together the image that they see in the mirror with the person they experience themselves to be. Their portraits are eloquent statements of self.”  (Ann Pelo, The Language of Art (2007))

If you are new to self-portraits, I highly recommend reading Ann Pelo’s book, The Language of Art, to get an idea of the process. Ann so clearly lays out this project from beginning to end, including how to set up the studio, what prompts to use, cleanup, and ways to build on the experience.

This year I decided to take a new approach to our self-portrait work. Rather than limit the children’s experiences to the Art Studio, we would take some time before drawing our portraits to look more closely at faces and facial features. We began by reading Faces by David Goodman. In this story, the author shows us how we can spot “faces” everywhere in our environment and how we can construct faces out of loose parts. After reading the story, we set up a simple provocation with loose parts and mats/cork boards:

These mats can be downloaded for free from Picklebums at https://picklebums.com/people-play-dough-mats/

Our next step was to move beyond loose parts into a drawing/sketching phase. From what I had seen of the children’s drawings so far, I knew that most children were using simple mark making (dots, lines, etc.) in their pictures. We decided to take some time to look more closely at our facial features and break down how to draw them with increased attention to detail. Each week, we take time in our schedule for a focused art and drawing lesson (if you want to read more about Art and Fine Motor Instruction, click here: https://thecuriouskindergarten.blog/2014/01/16/art-and-fine-motor-instruction-snowflakes/). In our first lesson of the year, we decided to focus on faces. Now, I know that giving a large class of somewhat-new-to-school 3-5 year-olds whiteboards, erasers, and dry erase markers seems daunting in the first few weeks of school. In fact, I almost bailed on the lesson myself out of fear. In the end, I decided to have confidence that I could capably walk the children through the process of listening and following instructions, managing their materials, and successfully drawing themselves. And wow! Were we impressed! At the start of the lesson, each child gets a 9×12 whiteboard, a tissue or sponge (for erasing), and a whiteboard marker. I absolutely love using whiteboards for this kind of lesson because they are totally “risk-free” for the children. If they make a mistake or are unhappy with what they’ve drawn, they simply and easily erase it and try again. Even the most reluctant of artists are willing to give drawing a go on a whiteboard, in my experience.

During the lesson, I modeled looking in a mirror, talking the children through what I noticed, one facial feature at a time. I had extra mirrors on hand for the children to look in too. The children felt extremely successful with their finished works and we photographed them to share with our parents at home. I really believe that walking them through this process together helped to increase their interest and confidence in drawing their portraits at the Art Studio.

A few days later, we opened the studio for portrait work. This year, we decided to use sharpies on acetate (overhead paper) so that we could paint them afterwards and not lose any details of the children’s sketches. Once again, we had mirrors on hand for the children to look in.

This student was clearly very proud of his amazing dimples!

This student was so excited about his work, exclaiming, “My first nose! Ms McDonell, I did it! I drew a perfect nose!”

Honestly, the black and white portraits were beautiful enough, but we decided to carry on with the painting portion of the project. When everyone had completed their sketches, we read Shades of People by Shelley Rotner and Sheila M. Kelly. I absolutely love this book as it talks about all the wonderful colours of skin we see in the world. As a follow up, we set up a selection of “skin tone” coloured tempera paints (we used a collection created by Crayola) at the art studio. The trick with this technique is to flip the transparency over and paint on the back. When the paint is dry, you flip the transparency back over and all marker sketching that was covered by the paint is visible from the other side. It makes for a bit of a “surprise” when the children see all their work revealed to them in complete, detailed form. It is very important when painting on acetate to mix the tempera paint with a bit of white glue. Otherwise, when the paint dries, it will flake off the plastic sheeting.

And voila! Our first art project of the year is complete! I love how each portrait is unique and special and I can see the children’s personalities and characteristics so clearly represented in their work. This is the first time I have scaffolded the children’s portrait work in this way, and it just reminded me of how truly capable children are when given the tools and support they need. If you haven’t given portraits a try, I hope this post will inspire you to do so!

 

 

 

Winter Expressions: Exploring Winter Experiences Through Art

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“This is a snowman and me. I drew snowflakes and wind and trees. My mom threw carrots everywhere; even on the tree – for the animals!” (J.A.T.)

After finally getting a proper dusting of snow, the children were extremely interested in talking about all things winter. Our morning circle time was dominated by stories about snowy walks to school, wet mittens, and plans for play in the snow later in the day. However, I still have quite a few children who are hesitant to share their thinking during our large group conversations or reflections, so I wanted to find a way to provide all my students with an opportunity to talk about their experiences with winter. I have often found that some children are more willing to open up when they are engaged in some sort of activity – be it building, drawing, or even cleaning up. I remembered a beautiful blog post I came across last winter when I was at home on maternity leave that documented the winter conversations children were able to share while creating art about winter in their atelier (you can find my inspiration here: Conversations About Winter, Solstice, and the Changing Light). I decided that art was definitely the way to go.

This exploration was done on acetate sheets (I placed a white sheet of paper underneath each acrylic sheet for better visibility) with permanent markers, tempera paint, and glitter paint. Tempera paint will peel/flake off the acrylic paper when dry, so you must use the glitter paint (mine was a washable tempera glitter paint, but dried like plastic) with the tempera together if you don’t want the paintings to fall apart when they are done. I didn’t try using acrylic paint, but that would likely work as well. Perhaps even finger paint….but I suggest you test your materials before you try it with the children.

First, the children drew their pictures with the permanent markers. As they drew, many children looked out the window for inspiration. Most of the children talked openly about what they were drawing. For the children who are more hesitant to talk, I tried to guide the conversation by asking open-ended questions about the weather, winter activities, and family life.

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“That’s me and my snowman. I see wind out our window so I’m adding swirly wind. And here are the trees with no leaves. The sun is shining on my snowman so I put something special on it so it won’t melt.” (R.A.)

When the children were done sketching, they used the paints to add colour and extra details to their work. When I introduced this centre, we talked about why we were using tiny brushes in the paint – specifically, how the small brushes allow us to add fine details to our work. This idea recently came up in another painting project we had done and the children are beginning to understand how material choices can affect what they are able to accomplish. By highlighting that small brushes make for finer details I find that the children go into the project with the mindset of adding special details to their work.

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I noticed that when children are engaged in detailed work they really “lean in” to the project. You can tell by this student’s body language that he is extremely focused and engaged in his work.

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“This is me and my dad and my brother. I like shoveling the snow. This is my shovel.” (C. P.)

Each day we took some time during reflection time to share some of the children’s finished art pieces. Either I read my notes about what the children said while they worked (their “stories”) or the children presented it in their own words, or both. It was definitely a celebration of learning!

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“I was outside playing in the snow. The wind was almost coming! I see the sun up in the sky. I think the sun is shining on the snow. I wonder if the snow is going to melt?” (F.M.)

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“I like that it’s snowing in winter – that you can catch snowflakes with your tongue. We are playing outside. We’re going to [the school] to slide down the big hill.” (J.T.)

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“I like snowflakes because I get them on my tongue! I made LOTS of snowflakes. Look at my snow! I’m outside with my hat. I have snow on my head but it’s okay.” (C.G.)

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“I’m in the snow. I like that it snows in the winter. I love it to be snowing. So sparkly!” (E. H.)

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In the Art Studio: Working with Wire

For anyone who is interested in adding more inquiry-based learning to their program but isn’t sure where to start, I highly recommend starting with Art. Art involves creativity, problem solving, making choices, discussion, and is generally open-ended. An excellent resource for dipping into art-based inquiry is: The Language of Art by Ann Pelo.

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This week at the Art Studio we were working with wire. The goal was to work the wire into a sculpture of a tree. We have been doing a tree study and I was interested to see how the children might apply what they already know/have learned about trees while they created their sculptures. Wire is not an easy material to work with, save for the fact that it generally stays in the shape that you put it in, so I was also looking for the children to demonstrate some problem solving skills as they completed their pieces.

Here is the provocation I placed at the studio. I happened to have a small wire tree sculpture at home that my husband had received from his former student. The children were quite inspired by it.

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Here are some of the comments the children made during their wire exploration:

“I’m making my branches silly by twisting them up. It’s twirly swirly!”

“So my tree is kind of wiggly at the top because I saw some trees have branches like that.”

“I am twisting my wire all around so it can stay up. I had to twist the wires some more to help my tree stand.”

“My tree is dancing!”

“I did it! I got my tree to stand up!”

“Wire is good because it doesn’t break. I need some more wire down here because this part is a little loose.”

Most children wanted to create a tree that could stand on its own. This proved to be quite the challenge, but I was encouraged to see that the children really persevered at the task and were incredibly proud when they achieved their goal.

A sweet moment I was able to capture was between two boys who were working alongside each other at the table:

F: “This is so hard. I can’t do it.”

J: “You have to do it like this!” (modelling twisting the wire)

F: “No, I can’t even do it.”

J: “Look, I’ll show you. You just have to do this (twisting). See? Try again.”

F: “ugh…” (keeps working on it)

J: “Yeah! That’s it! Keep twisting it until it’s nice and strong!”

F: “Like this? Oh, I can do it now! I made a tree!”

Sometimes we all just need a little encouragement from our friends!

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